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1. Yiddish language and culture


Poster for a benefit performance of 'The Lost Soul', starring Jenny Kaiser as Shmilikel, at The Working Lads' Institute, Whitechapel Road, c.1900. Benefit performances played an important role in the life of the Jewish East End - this one was in aid of recently widowed woman with nine children *

Yiddish was the mother-tongue of the vast majority of Eastern European Jewry. It was a richly expressive language, based on medieval German, spiced with Hebrew, Russian and Polish words, and written in Hebrew characters. It was the language spoken in the home and workplace, in contrast to Hebrew which was used for prayer.

Along with the Yiddish tongue came a rich and varied folk culture including badchanim (wedding jesters and rhymesters), folk musicians and Broder singers - itinerant male singers performing comic musical sketches. All of these entertainers would appear in Purim plays, which for centuries were the only form of theatre in Yiddish.

Yiddish theatre drew directly on these traditions, but it only developed after Yiddish had emerged as a literary language in the second half of the nineteenth century. Many of the early Yiddish writers were followers of the Haskalah (the movement for Jewish enlightenment) and saw the advantages of communicating in Yiddish, the language of the Jewish masses.

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